PORTFOLIO

Gloucester Beach House

This coastal collection is defined by shifting blues, reflective surfaces, and works that move between abstraction, photography, sculpture, and landscape. Pieces by Miya Ando, Carolina Sardi, Rob Brooks, Thomas Jackson, Audra Weaser, Alison Shaw, Carolyn Reynolds, Elaine Coombs, Susan English, Serge Hamad, and others create a layered conversation with the water, sky, and changing light around the home. The result is fresh and atmospheric, with moments of shimmer, movement, and coastal energy woven throughout the interiors.

Miya Ando, Blue Sky (Aozora) 12.8.2023 3:04:23 PM NYC, 2023

dye, pigment, resin and urethane on aluminum, 48 x 48 in.

Audra Weaser, Clear Blue, 2023

acrylic, plaster, metallic pigments on panel, 40 x 30 in.

Carolina Sardi, Blue Composition Commission, 2024

painted stainless steel, 39 x 75 x 2 in.

Carolyn Reynolds, Two Hummers on Blue, 2023

23 karat silver leaf on oil and canvas, 20 x 20 in.

Alison Shaw, “Emma Morgan” Vineyard Haven II, “Defiance” Edgartown & “Sea Lion”

limited edition photograph, 44 x 29 in.

Thomas Hager, Whispering Blue Green Tide, 2020

archival pigment print, 42 x 42 in.

John Skibo, An Offering to God, 2022

oil on panel, 9 x 12 in.

Elaine Coombs, Cloud Pattern 1, 2 & 3, 2024

acrylic on canvas over panel, 18 x 18 in.

Alison Shaw, Lagoon IV, 2015

archival pigment print, 28 x 18 in.

Susan English, WOY 26-20 No. 24, 2023

tinted polymer on 140 lb. Yupo paper, 26 x 20 in.

Thomas Jackson, Silk No. 1 V2, Nantucket, MA, 2022

archival pigment print, 30 x 40 in.

Rob Brooks, Dawn’s Early Light

oil on canvas, 48 x 24 in.

Thomas Jackson, Tulle No. 34, Ocracoke Island, NC, 2021

archival pigment print, 30 x 40 in.

Laura Fayer, Diamond Island, 2024

acrylic and Japanese paper on paper, 20 x 41 in.

Serge Hamad, Temporal Perception 77

chromogenic print mounted on high gloss, 36 x 48 in.

Maura Segal, Night Train 1 & 3, 2023

mixed media on canvas, 24 x 24 in.
photographer

Jessica Delaney

interior design

Acampora Interiors